Event Films and Aftermovies in the Rhine-Main Region
We film your event in the Rhine-Main region: trade shows, conferences, award ceremonies, or corporate events. Main film delivered in 7 days; fixed package prices starting at 1,490 euros (net). Based in Wiesbaden since 2011, 30 minutes from Messe Frankfurt.
0611 / 900 672 25Request an appointment
Have you already set a date? Give us a call, and we’ll let you know right away if that day is available.
Stock image, AI-generated
Fixed packages instead of estimates. The price depends on the number of cameras and the shooting time, not on the length of the finished film.
A professional event video costs between 1,490 and 25,000 euros (net) in Frankfurt. Basic coverage of one full shooting day starts at 1,490 euros. The most common option works with two cameras and delivers a main film plus a social media clip, which starts at 3,500 euros. An aftermovie featuring two to three cameras and interviews starts at 6,000 euros. Conferences with a multi-camera setup and livestream start at 12,000 euros.
| Package | Cameras and Shooting Time | Delivery | Price |
|---|---|---|---|
| Basic | 1 camera, full shooting day | Documentary: 2 to 3 min, 7 days | starting at €1,490 |
| Standard | 2 cameras, full shooting day | Main film (3 to 5 min) and social media cut, 7 days | starting at €3,500 |
| Aftermovie | 2 to 3 cameras, interviews | Aftermovie in 72 hours and social media clips | starting at €6,000 |
| Conference | Multi-camera, directing, livestream | Multiple output formats | Starting at €12,000 |
Up to four hours alongside the shoot. You receive edited images, not raw files.
Photography across the whole shooting day, coordinated with the camera team.
Prepares the questions and runs the conversations. Recommended whenever interviews are involved.
Prices excl. VAT, on top of the package you choose.
All amounts are net and include camera, lighting, and sound equipment, as well as post-production. Travel within the Rhine-Main region is included.
Six answers are enough. You then see not just a number, but what it is made of.
All amounts exclude VAT, travel within the Rhine-Main region is included. The calculator gives you a guide, not a binding quote. For a firm quote, tell us the date and the venue. We usually reply the same day.
Conference support with recording of the presentations. Stock image, AI-generated.
The main cost factor in event filmmaking is the number of cameras, not the length of the finished film. An event cannot be repeated: What a second camera didn’t capture simply doesn’t exist.
For stage events featuring speeches, award ceremonies, or panel discussions, a second camera angle is therefore necessary so that the footage can be edited later.
The second factor is the turnaround time. An aftermovie that goes online 72 hours after the event is edited the night after the event. This can be planned; it just needs to be agreed upon in advance.
Not every event needs the same film. The difference lies less in the occasion than in the question of who sees the result and when.
On location at the convention center: a RED camera mounted on a shoulder rig to ensure stable footage even in crowded conditions.
On an exhibition ground you work against the conditions. The halls are loud, the light is mixed, and the neighbouring stand is still being built while your first conversation is already running. We bring our own lighting and wireless audio so that interviews at the stand stay intelligible.
Filming permits on the grounds of Messe Frankfurt need lead time. We obtain them and the fees are part of the package price.
One day at a trade fair rarely produces only one film. The usual outcome is a trade fair report for the website and short formats for LinkedIn, plus footage that reappears in next year’s stand communication.
With stage programmes the number of cameras decides whether the film can be edited at all. One camera on the wide shot delivers a recording. Two deliver a film. With panels, speaker changes do not work in the edit without a second angle.
The breaks are underestimated. For many organisers the conversations between the blocks are the actual value of the congress, and they cannot be staged afterwards.
If the event is also to run live, a separate vision mixing setup comes in and the line is checked in advance. We plan that as an extension and not as an add-on on the shooting day.
An aftermovie has an expiry date. Anyone who sends it out three weeks later reaches people who have long since filed the event away. That is why we deliver it within 72 hours on request, edited during the night after the event.
This only works if it is agreed beforehand. The edit suite has to be blocked, and the shoot runs differently when everyone knows from the start that editing begins the next morning.
The detailed main film follows after seven days as usual. Social cuts in vertical and square format come from the same material but are taken into account during the shoot.
Trade show appearances have their own set of rules. The halls are noisy, the lighting is inconsistent, and filming permits on the Messe Frankfurt grounds require advance planning. We’re familiar with the procedures and bring our own lighting and wireless systems so that interviews at the booth remain clear even when setup is taking place right next door.
We’re just as familiar with Kap Europa, the Jahrhunderthalle, the Congress Center, and Klassikstadt. From our location in Wiesbaden, we can be there in about 30 minutes—even on short notice.
Three event films from the Rhine-Main region. One click starts the video, nothing is loaded from YouTube before that.
Trade fair appearance at IMEX in Frankfurt
Corporate event: aftermovie of an opening celebration
Project film with interviews on location
Five steps from the initial call to delivery.
We’ll work out the date, location, and scope—usually in ten minutes.
You’ll receive a flat rate, not an estimate.
We will coordinate the schedule, filming permit, and on-site contact person.
We bring our own equipment and work in a way that doesn’t disrupt the event.
Aftermovie within 72 hours, main film within 7 days, in all agreed-upon formats.
What customers most often want to know before booking.
If the date is available, even with just a few days’ notice. It’s especially worth giving us a call in the fourth quarter. If you call instead of writing, you’ll get an answer right away.
We bill overtime at the agreed-upon hourly rate. We don’t go home in the middle of the awards ceremony.
Yes, if requested. We’ll bring an additional person for this, because it’s not possible for the same person to handle both photography and videography at the same time and maintain the same level of quality.
To you. You will receive the rights of use for all agreed-upon channels for an indefinite period. We will provide the raw material upon request.
Yes. We offer a livestream with direction, graphic overlays, and dedicated production as an add-on to the conference package.
No travel fees throughout the entire Rhine-Main region: Wiesbaden, Mainz, Darmstadt, Offenbach, Hanau. Additionally, throughout Germany by arrangement.
Ten days is the normal case. That leaves time for the running order, the filming permit and a technical check beforehand. Shorter notice works if the day is free.
Free of charge up to ten days before the shooting day. After that we charge half, and from 48 hours before the start the full amount. Moving the date is different from cancelling: a replacement date within six months costs no extra, provided it is free with us.
Five years. If you later need a different version or a single scene for a new film, the material is still with us.
Yes, and the fees are part of the package price. We only need the hall and stand number and your contact person at the organiser.
Camera, lighting and sound equipment, post-production and travel within the Rhine-Main region. You receive a flat price and not an estimate with open items.
One is enough for a documentary without a stage programme. As soon as speeches, awards or panels are involved you need two, otherwise the recording cannot be saved in the edit. From three cameras a vision mixing setup is added.
Yes, in vertical and square format. They are taken into account during the shoot and not cropped out of the long version afterwards, which would leave heads at the edge of the frame.
Yes. Cameras, lenses, lighting, wireless audio and drones belong to us. That keeps us independent of rental dates when something changes at short notice on the shooting day.
Yes. A photographer can join the shoot for half a day or the full day. You receive edited images, usually within a week, plus a small selection the same evening if something has to go out the next morning. Booking film and stills separately means two crews travelling in and two different visual styles. From one team, both match.
Yes, and with interviews we recommend it. The editor prepares the questions, runs the conversations and guides your speakers through the appointment. That is what decides later whether a soundbite survives the edit. Without an editor someone from your own team usually asks the questions. That works, but it costs more footage and more time in the edit.
5.0 out of 5 from 20 Google reviews. Two of them in full:
Let us know the date and location. Within one business day, we’ll let you know if we’re available and provide you with a firm quote.
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